Paul Watson: Principia Discordia
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Questions Remain
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A Litany of Disaster
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Culture Shock
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Classified
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System Overload
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The Simple Plan
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Personal Demons
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The Future, Tense
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Human Traffic
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The Children of Paradise
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In Pursuit of Sublime Terror
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Show Time
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The Exile’s Return
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Commentary
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Inner Thoughts
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Morale Dilemma
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I Think We Need To Talk
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Another Object of Desire
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Falling Behind
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Border Crossing
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Another Way of Seeing
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The Genius of Space and Time
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Love and Longing
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Metropolis Now
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Perfect Day
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Dawn of the Dread
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Hearts and Minds
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Fatal Errors
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The Girl Addicted
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A New Dawn
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Letters to the Editor
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New Tomorrow
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Unfinished Sympathy
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Something in the Air (Civil War)
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Same Old Story
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The Dream Genie
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The City in Full Flow
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Fear Down Below
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Pointing the Finger of Blame
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Shock Tactics
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Brief Encounters in Camera
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Letters from the Edge
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The Deadly Lure of Paradise
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The Beginning
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When Worlds Collided
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From Saviour to Victim
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Home Truths
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When Blind Belief Collides with Reason
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A Portrait of the Artist
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A Tyrant in the Flesh
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Berlin (The State of Innocence)
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After The Flood
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Superiority Complex
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The Stench of Hypocrisy
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The Unkindest Cut of All
About the Principia Discordia Collages
Mixing found objects and stolen headlines, fine art drawings and photographs, police tape and musical scores, Principia Discordia is a limited series of collages.
Each hand-numbered collage is on 9 × 12 inches (229 × 305 mm) Bockingford Board.
The collage series is named after the sacred/comedic book The Principia Discordia because it shares a number of characteristics with it: a collage of appropriated materials, obvious self-contradictions and unusual humour, an exaggerated, often parodying and nonsensical technique, and oblique suggestions that there is serious intent behind the work.
From Wikipedia:
“The Principia Discordia is a sacred text of the Discordian religion written by Greg Hill (Malaclypse The Younger) and Kerry Thornley (Omar Khayyam Ravenhurst). The Principia is quoted extensively in and shares many themes with the science fiction book The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson. Both books employ an exaggerated, often parodying and nonsensical literary technique, accompanied by numerous non sequiturs and passages reminiscent of koans, as a vehicle for countercultural iconoclasm.
“The Principia describes the Discordian Society and its Goddess Eris, as well as the basics of the POEE denomination of Discordianism. It features typewritten and handwritten text intermixed with clipart, stamps, and seals appropriated from other sources, possibly illegally.
While the Principia is full of obvious self-contradictions and unusual humour, it contains several passages which purport to suggest that there is serious intent behind the work. Take for example a message scrawled on page 00075: If you think the PRINCIPIA is just a ha-ha, then go read it again.”