Paul Watson’s notes on ongoing artwork, giving an insight into the creative process.
I’m a visual artist, so this brief piece about Mark Fisher’s draft introduction to his planned book Acid Communism (sadly never to be realised due to his premature death) examines the concept from an artist’s perspective. As an immediate warning to the curious, I want to make clear that…
I wrote about the first drawing in this series-inside-a-series back in early August, and I wrote about some of the props and references later that month. Since then I’ve finished the second and third drawings in the arc. The next drawing, Study of a Figure in the Court of Queen…
Read the rest of “First three studies from the Court of Queen Mab”…
A couple of weeks ago in my last blogpost I wrote about my plan to make a number of Studies from the Court of Queen Mab, which will form an arc or mini-series as part of my Acid Renaissance series, and introduced the first drawing from this arc. This drawing, like the others I am planning,…
My original plan was a very large scale, multi-figure, drawing of the Court of Queen Mab, but I simply don’t have the room - I’d need a large studio space to attempt something like that. So instead my amended plan is to make five or seven “Studies from the Court of Queen Mab”, which…
The images above are taken from flood.firetree.net and show the islands of Great Britain and Ireland at current sea level, at a 40m rise in sea level, and at a 60m rise in sea level, dramatically changing the shape of the islands as well as significantly reducing their land mass. Even a modest…
As the third national lockdown in England doesn’t look like it will be a short one, I’ve been making some plans on how to continue my artistic practice under the restrictions. The vast majority of my artwork comes from working with life-models, either through drawing or photography. I…
I’ve been trying to figure out the legality (and ethical conundrums) of restarting my life-drawing practice under the revised “3 Tier” system that is due to come into force in England on Wednesday 2nd December. I’m approaching this as objectively as I can, not in a “looking for loopholes”…
Read the rest of “Life-drawing during Covid: some thoughts”…
I suddenly realised I haven’t updated this for a few months, and while I haven’t been especially prolific I have actually completed some more Acid Renaissance artwork, so… Sketch for “The Lotus Eaters” Sketch for “The Lotus Eaters” came together over June, and it’s…
The Heartwood Institute’s Tomorrow’s People – Exploring Far Off Utopian Flipsides: Wanderings 14/26 The latest blogpost from A Year In The Country discusses The Heartwood Institute’s album Tomorrow’s People via some personal interests of mine: utopian societies, Gerrard Winstanley,…
It’s a cool clear morning here on the southern coast. Sparrows perching on the phone lines, distant cries of seagulls. It feels so calm, but it shouldn’t be. The tiny fracture lines in the world widen. The question of what sort of world we will emerge into post-lockdown continues to be…