I’ve been thinking lately about woods and meadows and the edges of lakes, places of importance in my own personal mythology that feed into my artwork. So far in my Acid Renaissance series these places have only manifested at a distance, distilled into human figures as genii locorum, spirits…
It’s been a month since my last update on my Acid Renaissance series of artwork, and as I mentioned in that post I wasn’t planning on doing any artwork for the project over August because I had too many other things on and needed to “recharge” anyway.
The Delaware Road: Ritual & Resistance…
I have, of late, been wittering on about radical visions of the future. It started in November with No one dreams of England’s future any more, and then The Ghosts of Christmas Futures which was followed the next day by a bit of Twitter fun called The Collective Imagined Future England where…
Over on Twitter yesterday I posted a series of tweets that, merged together, went something like this:
What I need is Brighton people who will dress up in masks like those in the photo [above] and these, and be filmed doing some sort of dark folk-horror dance/performance art/ritual. Performers…
Planning one of these for mid-October. Not sure which one. Will need model and/or props.
Series of photographs: A person completely painted white against a white or yellow/brown or black background. Smudged charcoal “tribal” markings - war paint or ritual - half-camouflaging the figure.…
I’ve written myself a list of art-related tasks to do before January 2nd - some involve creating artwork, but most involve planning artwork to be made in January, February, & March.
I need 2-3 more people to model for either photographs or life-drawings (in addition to the kind people who have…
Work on the letterpress side of the Book of the Erinyes is on temporary hiatus while I wait for the letterpress facilities of Brighton Independent Printmaking to re-open as Ink Spot Press in June. I’ve got 9 of the 13 chapters printed, so it shouldn’t take too long to finish them off when the…
In early January I’m planning to print a number of Broadsides as related side-projects of the Book of the Erinyes.
As well as being appropriate to the whole atmosphere of the artwork, I’m also drawn to the often scurrilous history of Broadsides, from the 16th century to the mid-19th century.…
As I’ve been working on The Book of the Erinyes I’ve been trying to work out who it’s likely to appeal to.
The problem is that it doesn’t fit comfortably in any one area. It sits between art and craft, between bookbinding and book art, between mainstream and underground. It’s art made…